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因为一次义举，邓炳权（罗嘉良 饰）成为了城中小有名气的风云人物，就连向来不将男人放在眼里的商界女强人晴（陈慧珊 饰）都对他亲睐有加，钦点他成为出演自己广告片的不二人选。邓炳权和晴都是个性强硬的人，两人相处少不了摩擦，一场意外中，他们竟然遭到了袭击，邓炳权死里逃生，而晴则没有这么幸运了。 死不瞑目的晴上了邓炳权的身，希望能够借他之手找出杀害自己的凶手。果然，没过多久，晴便发现自己看似“从一而终”的丈夫华（江华 饰）和其女秘书莹（汤盈盈 饰）之间的关系十分暧昧，而随着时间的推移，晴深恶痛绝的凶手也逐渐浮出了水面。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。卡塔雅（米歇尔·菲佛 Michelle Pfeiffer 饰）是一名图书编辑，某日，她将一份由某位苏维埃科学家撰写的手稿寄给了英国书商巴里（肖恩·康纳利 Sean Connery 饰），哪知道自己的这一无心举动竟然令两人被卷入了一个巨大的政治阴谋之中。 原来，这份手稿里隐藏了一个惊人的秘密，这个秘密的披露有可能改变整个世界的政治格局。为了避免秘密被泄露，西方政府派出了超级特工拦截这份情报。与此同时，布莱尔也临危受命，前往俄国获取更多关于这份文件的情报。当布莱尔邂逅了卡塔雅之后，两人之间碰撞出了致命的火花。面对仁义道德和自己的真爱，布莱尔会做出怎样的选择？。